When an artistic project aspires to the methodological rigor of science, it must be based on precise historical precedents. Here there are two: Kandinsky's more geometrical phase and its development in an unexpected direction by Moholy-Nagy.
Here the taut parabolic curve describes the generation of a curved topological space with a movement from the back to the front, to which the opposite diminution and disappearance of the chromatic notes correspond.
The description of a movement, given as intrinsic to that space, follows instead the double revolution from the depth, clearly maintaining, however, the unity of the geometrical plane of the sheet paper.
