Etching (acquaforte monotipata), 1907. A fine proof impression of an early state, not described in literature, before a lot of etched work in several places, extensively touched with black chalk, titled in black chalk on the bottom CARDUCCI, skillfully printed with sepia ink working on the surface tone (acquaforte monotipata), on thick wove white paper. Signed LConconi in the film of ink left in the plate in wiping and numbered pr. IX (ninth proof). Slight foxing; 530 x 440 mm. See M. Bianchi, G. Ginex, Luigi Conconi incisore, Milan, 1994; cat. no. 51.
PROVENANCE: Gallerie Geri (Milanese auction house, c. 1974), private collection, Milan.
According to Bianchi and Ginex, there should be a second state of the etching in addition to the one they describe. The scholars base their hypothesis on the fact that the impression kept at the Bertarelli collection in Milan Conconi indicated in pencil that it was a first state. However, since a state subsequent to the known one has never been found, the writing probably indicates an intention never realized.
The portrait of the Italian poet Giosuè Carducci has been etched by Conconi to participate in a competition organized by the Reale Calcografia of Rome to celebrate the achievement by Carducci of the Nobel Prize for literature in 1906.